Andrew Giddings
Keyboards, accordion, bassAndrew Giddings, born July 10, 1963, in Pembury, Kent, England, was Jethro Tull’s longest-serving keyboardist, playing from 1991 to 2007 on albums like Catfish Rising, Roots to Branches, and J-Tull Dot Com. A versatile musician who started with pop and blues bands, he now provides keyboard and orchestration services for film and television from his digital studio in Oxfordshire.
Andrew Giddings, born July 10, 1963, in Pembury, Kent, England, grew up in a musical household where his mother played piano during her pregnancy, sparking his early connection to music. After the loss of a pet rabbit, she enrolled him in piano lessons at age six, which he initially disliked. By nine, his teacher coaxed him into public performances, though he found them daunting. At 13, Giddings abandoned formal lessons to teach himself pop music by ear. His first band experience came at school, playing an electric organ—purchased by painting a neighbour’s garage door—alongside friends on borrowed drums and bass. At 15, he earned his first paid gig with a local dance band, honing his keyboard skills.
After leaving school without qualifications, Giddings worked in a musical instrument store and joined the Kent-based band Profusion, supporting acts like Shalamar and Kool & The Gang. He later formed X-statique with former Profusion members and played in The Brothers Grimm, a Blues Brothers tribute band, before spending five years touring and recording with Eric Burdon of The Animals. His career expanded with stints backing Leo Sayer, Sniff ’n’ the Tears, Vyktoria Keating, Willy Porter, The NEC Orchestra of Boston, and Jon Anderson of Yes. In 1991, Giddings joined Jethro Tull, succeeding Martin Allcock, and became their longest-serving keyboardist, contributing to albums including Catfish Rising (1991), The Beacons Bottom Tapes (1993), Roots to Branches (1995), Jethro Tull In Concert (1995), J-Tull Dot Com (1999), Living with the Past (2002), The Jethro Tull Christmas Album (2003), and Aqualung Live (2005). His versatile keyboard work and orchestrations enriched Tull’s progressive sound until he left the band in 2007, succeeded by John O’Hara.
Following his departure from Tull, Giddings settled in the Oxfordshire countryside, where he operates a digital studio, providing keyboard and orchestration services via e-sessions for film, television, and personal projects. Known for his humour—he can say “nice pair” in six languages, including sign language—Giddings remains active in music, blending his technical skill and diverse experience from pop, blues, and progressive rock into his current work, maintaining a creative presence in the industry.
