Date: August 1, 1969 Category:

Stand Up represents the first album project on which Anderson was in full control of the music and lyrics. It also marks the first appearance of guitarist Martin Barre, who appeared on every JT album from this point on.

Tull’s initial musical approach was torn between Mick Abrahams’ blues vision and Ian Anderson’s more unique approach. When Abrahams left, his replacement Martin Barre became the key player in Tull’s move towards a more progressive style.

Tull popup from Stand UpThe recording sessions for this album started in April ’69. One month later, the band scored their first U.K. hit with “Living In The Past,” which charted at #3 (included in the remastered release).. Starting with “Stand Up,” the band’s use of dynamics, Celtic Folk, and classically-oriented tonal structures, along with Ian Anderson’s flute playing and songwriting, became Jethro Tull’s signature. Simply put, “Stand Up” was the genesis of Tull’s sound and, not surprisingly, is one of Anderson’s favorite Tull records.

Reflecting back, “Stand Up” seems an obvious career turn but at its release, the reality was Tull risked a great deal. The turn from the blue-orientated approach displeased important Tull radio and promoter connections.

“A New Day Yesterday” is almost a holdover from “This Was” with its blues-stylings while “Nothing is Easy,” common in concert sets, is a blues-jazz fusion. “Bouree,” a “cocktail jazz” (Ian’s words) rework of a J.S. Bach classical piece, would become a Tull classic and an almost must for any concert set. Many Tull fans presume Far Eastern influences on the band’s music begin with Anderson’s solo album “Divinities.” Yet, traces can be found in “Fat Man” (sometimes considered a jab at departed guitarist Mick Abrahams) and “Jeffrey Goes to Leicester Square,” one of three Tull songs devoted to Ian’s boyhood friend Jeffrey Hammond who would later join the band.

While hardly a “concept” album, lyrically the album devotes a lot to Anderson’s relationship with his parents (a subject continued on “Benefit”) and coping with new found pop stardom.

Band pose 1969 somewhere



Standard (CD and LP version)
(1973 cassette version has same track order, but on opposite sides)

All songs written by Ian Anderson unless otherwise indicated.

Side one
No. Title Length
1. “A New Day Yesterday” 4:10
2. “Jeffrey Goes to Leicester Square” 2:12
3. “Bourée” (instrumental, J. S. Bach arr. Anderson) 3:46
4. “Back to the Family” 3:48
5. “Look into the Sun” 4:20
Side two
No. Title Length
6. “Nothing Is Easy” 4:25
7. “Fat Man” 2:52
8. “We Used to Know” 4:00
9. “Reasons for Waiting” 4:05
10. “For a Thousand Mothers” 4:13


Jethro Tull:

Ian Anderson – vocals, flute, acoustic guitar, Hammond organ, piano, mandolin, balalaika, mouth organ
Martin Lancelot Barre – electric guitar, flute
Glenn Cornick – bass guitar
Clive Bunker – drums, percussion

Guest Musicians:

Strings arranged and conducted by David Palmer
Engineering and mixing by Andy Johns